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by Adam Nevill
From time to time an artist reads one of my books and is inspired enough to interpret something that has affected them in that story. It’s one of t...
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by Adam Nevill
“something unspeakable has visited, or indeed (as we are to discover,) is in the process of visitation”
A postmortem of ‘Wyrd’ & raising our ho...
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by Adam Nevill
There’s another thoughtful review/essay on ‘Wyrd’, this time from James Pate at Sublime Horror.
“There’s an affinity between horror and the avant-g...
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by Adam Nevill
My obsidian heart has been warmed. Last night, some very kind folks at the British Fantasy Society gave ‘The Reddening’ The August Derleth Award fo...
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by Adam Nevill
I have a long chat here with Steve Stred, hosted by Kendall Reviews, and lever the lid off my horrors and publishing.
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by Adam Nevill
I recently finished a few ongoing TV series (Mr Mercedes 3, The Boys 2 & now watching The Stand as the episodes drop) but have turned most of m...
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by Adam Nevill
The Wyrd parasite wriggles. Our membranes undulate in thanks to Mother Horror.
Sadie Lou Who: Best Collections, Anthologies, and Short Stories in 2...
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by Adam Nevill
Really chuffed, not least startled, to see that my least popular novel (Lost Girl), is being discussed this week at an academic conference hosted b...
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by Adam Nevill
By 2015, after researching my novel, ‘Lost Girl’, for a few years, I began, increasingly, to imagine a world without us in it (someone has to). ‘L...
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by Adam Nevill
The Reddening has been translated and published in Russia by ASTREL. The first Ritual Limited title published in a foreign edition (& my sixth ...
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by Adam Nevill
2020 has been an exceptional year for television. I’d be hard-pressed to pick my favourite series, though I am edging Raised by Wolves into pole po...
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by Adam Nevill
Okay, don’t breathe but it seems to be working again. So, when I checked my reading diary and totted up on NY Eve, I was pleasantly surprised to se...
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